A touch of elegance. . .

White Wrought Iron Bakers Rack

Have you ever thought about decorating your home with white wrought iron? Most people, when they think about wrought iron, envision the black designs, which are beautiful, but there are many beautiful white pieces as well.  For instance, a white wrought iron étagère or baker’s rack make delightful plant stands, especially if you have the kind of plants that drape down gracefully from their pots, and you have put your plants in colorful, hand-painted decorative pottery.

A touch of Tuscan. . .

If you like the look of Italian wrought iron designs, you will be able to find many lovely planters painted in the Tuscany manner. A small ceramic diffuser for essential oils would fit nicely among the plants and you could enjoy the fragrance of your favorite essential oil all day.

A special place for sleep. . .

Wrought Iron Henna Lamp

Another nice place for white wrought iron is the bedroom. An antique wrought iron bed painted white, topped by a fluffy goose down comforter, and lots of delicate, lace-trimmed pillows would be exquisite. The ambiance of the room would be so serene and restful and would be a big benefit to your peace of mind.

Colorful lamps by your bed would be both elegant and useful. We have lamps here in Morocco that are very different. Treated goatskin is strethed over the wrought iron frame and hand-painted with Henna.

And a quiet corner just for you. . .

If you have a little space in your front room or bedroom for a white wrought iron daybed you could create your own personal retreat to repose, meditate, listen to your favorite music, or read. This would also add a special and unique touch to your home.

Your thoughts. . .

How would you use white wrought iron designs to bring a special ambiance to your home? Leave your comments below. . .

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The Middle Ages

During the Middle Ages and the Renaissance, the wrought iron designs in Italy, France, and Germany showed the limitations of all true decorative art due to the difficulty of working wrought iron by hand.  This difficulty limited what could be done in the way of design and execution.

During the design phase of a project, the designer had to keep these limitations, such as a lack of machinery to help execute the piece, in mind.

The smithy was limited also by his skills.  The tell-tale marks of the smith’s work were inevitable.   However, this added to the charm of the pieces and made each one distinct.

Reproductions

High quality reproductions followed.  In fact, some of the following photographs are of reproductions and others are of original works.  It’s virtually impossible to tell the difference in the photographs.

The next-best thing to having the original wrought iron designs is to have excellent reproductions, made the old-fashioned way, instead of pieces mass-produced on machines.

Lanterns and Torch Holders

This article features lanterns and torch holders but, in reality, the lanterns could also be called torch holders as they were designed to hold combustible material which was held in place by the central spike.

The lanterns that decorate the Strozzi Palace in Florence are the finest examples of Italian antique wrought iron work still existing, and have frequently served as models for lanterns in recent times.  Similar lanterns were attached to the angles of the Riccardi Palace, the former residence of the Medici in Florence.

Lantern, Strozzi Palace in Florence

Nicolo Grosso Caparra - il Caparra

These “lumière miravigliosi” were believed to be the work of Nicolo Grosso Caparra, known as il Caparra, a celebrated artist of his time, who is believed to have executed many of the beautiful rings and cressets which still decorate the old palaces of Siena. His method was to afix a little iron barrel on the center spike, which contained the tow and pitch.  The torches were then attached to the other spikes.

Torch Holder, Siena

In some old engravings of night-time festivities by the Grand Dukes of Tuscany, the beauty of the light cast by this  type of  lantern is evident.

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Introduction to Wrought Iron Designs

I have loved wrought iron designs for most of my adult life.  Several years ago I worked for an architect in Southern California.  One of his draftsmen had a passion for architectural wrought iron design and was always sharing his drawings and “doodles” with me, as well as his books.  He awakened in me a love for the beauty, diversity, and intricacy of the possibilities of what wrought iron could become.

New Orleans has beautiful examples of wrought iron designs. Here the lacy balconies and fences are exquisite. In the French District you will find wrought iron work everywhere.  However, in the Garden District, most of the work is from cast iron, not wrought iron.

The difference between the two has to do with the amount of carbon left after the iron ore is processed.  Cast Iron has 2% or more carbon whereas wrought iron has 0.2% carbon or less. Because of the higher carbon content in cast iron, it is more brittle than wrought iron. Wrought iron is strong and hard, and easy to weld.

The methods used for each are also different. Today, wrought iron is produced in “blooming” mills and cast iron is basically pig iron that is melted in a blast furnace with scraps of iron.

Wrought iron bloom is porous and must be hammered to reduce the air pockets and most of the slag. After it is “hammered” the first time, it is then “hammered” again into the final shape. This is done by hand or, nowadays, also by machine.

How Wrought Iron was produced  the “old-fashioned” way

Nyamakala 11 (Photo by Ellen Martin)

Lee Sauder is a blacksmith and sculptor who decided he wanted to know how wrought iron was made after being inspired by hearing about traditional iron smelting in Africa.

In 1998 he teamed up with his friend, Henry G. “Skip” Williams III,  to rediscover the art of bloomery smelting, which was the technique used to obtain wrought iron from iron ore for many centuries.

He wanted to produce his own product for his forged sculptures.  Archeologists had been attempting to reproduce the process for over thirty years, but with dismal results.

Their first experiments begin in January of 1998.  By the Spring of 2001, after much experimenting and varying results, they begin to produce a product that was to their liking.  By 2006, they had produced over a ton of their own iron using the ancient techniques of bloomery smelting.  You can read more about their fascinating journey here: The Smelter’s Art and visit the website and gallery at Germinal Ironworks.

Click here “I love wrought iron!” to buy beautiful wrought iron designs for YOUR life!

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